Posts about In the press

525. statue down

15 Feb 2017

From the Argentine national news agency Télam

Buenos Aires, Recoleta Cemetery, Pedro de Anchorena, acidente

A 30-year old tourist was injured today when he fell along with a statue that he had climbed on in order to take photos in Recoleta Cemetery. Information comes from SAME (Sistema de Atención Médica de Emergencias, the EMTs for Buenos Aires), the Ministry of Environment & Public Space, & from Rivadavia Hospital.

Some witnesses who saw the fall said that it happened around 14:00, &, after identifying the young man as a tourist from the Spanish city of Málaga, they explained that the accident took place when he climbed on one of the two marble sculptures that “guard” the entrance to the Pedro de Anchorena vault.

“The sculpture separated from its base & fell, taking the young man with it”, informed a city government official who assured that there are signs on-site in the cemetery which state “it is forbidden to climb structures”.

According to city government sources, the tourist “is out of danger” after being immediately treated by SAME, who sent the patient to Rivadavia Hospital for evaluation.

“The young man showed early signs of trauma to the thorax & was later evaluated by the emergency room in Rivadavia Hospital”, said the spokesperson for SAME, Alberto Crescenti, just after the accident.

Buenos Aires, Recoleta Cemetery, Pedro de Anchorena, acidente

The sculpture that fell “could not have done so by itself. That would have been impossible for a statue like that. Someone must have climbed on it”, said Raúl Rivas, who organizes guided visits & is familiar with the cemetery’s architecture.

According to the guide, “the aged, white marble sculpture, no more than 1.5 meters tall, is one of two female figures in sorrow with a small bouquet of flowers in their hands that ‘guarded’ the entrance of the Pedro de Anchorena vault, a member of the well-known & powerful landowning Argentine family”.

The sculptures that frame the entrance of the Anchorena vault, according to Rivas, have a base that is proportional to the rest of piece, so it “is impossible that it would fall without an external force”.

The Pedro de Anchorena vault is located in the Sector 1 of the cemetery, to the left-hand side after the entrance gate & leading to monuments dedicated to Facundo Quiroga & Sarmiento.


Marcelo & I struggled to come up with an accurate-but-nonjudgmental title for this post. In the end, this is just one more cultural loss due to stupidity. The accident reminds me of a similar incident in Lisboa last year at the Rossio train station. This should go without saying, but just in case: Please respect Recoleta Cemetery while visiting so its artistic legacy can endure.

Photo credits to news agencies Télam & DyN.

524. famous visitors

27 Oct 2016

Buenos Aires attracts millions of tourists every year & among those are quite a few celebrities. Whether in BA for promotion, performance or just to relax, many see the city’s top attractions. However, only few have left a public record of their visit to Recoleta Cemetery.

One of the oldest celebrity photos we’ve found online is from Liza Minnelli‘s visit in 1993. Below, she leaves flowers for Eva Perón:

Recoleta Cemetery, Buenos Aires, Liza Minnelli

During a Rolling Stones concert tour, Mick Jagger strolled through the cemetery apparently unnoticed in February 2016… except for staff taking photos for his Twitter account:

Recoleta Cemetery, Buenos Aires, Mick Jagger

Recoleta Cemetery, Buenos Aires, Mick Jagger

Ashton Kutcher traveled to Buenos Aires in March 2016 to promote his latest series The Ranch. He really made the rounds, as Armando Besada posted in Instagram:

Recoleta Cemetery, Buenos Aires, Ashton Kutcher

A surprising omission: Madonna first visited Argentina in 1993 during the Girlie Show World Tour, then returned three years later to film Alan Parker’s version of the musical Evita. Amazingly, no photo ever surfaced of her visiting Eva Perón’s mausoleum. Did she go undercover? After hours? Would that have even been possible? Madonna brought the Sticky & Sweet Tour to Buenos Aires in 2008 & finished the MDNA Tour in 2012 in Argentina. Although she didn’t miss a photo-op with former President Cristina Fernández de Kirchner & another visit to the Casa Rosada, there has never been a public photo released of Madonna in Recoleta Cemetery.

Recoleta Cemetery, Buenos Aires, Madonna, CFK

Did we miss a celebrity? Send a photo along with details, & we’ll add them to this list.

517. delta sky magazine

29 Mar 2015

Recoleta Cemetery, Sky Delta magazine, March 2015

Imagine our surprise when flying Delta to Madrid & finding a mention of our website in this month’s issue of Delta Sky magazine! I’m sure my neighboring passengers thought, why is this guy taking photos of the in-flight magazine?? This is why:

Recoleta Cemetery, Delta Sky magazine, March 2015

516. keeping up appearances

22 Nov 2014

Recoleta Cemetery, Carroza or carriage for funeral services

The show must go on… even if you aren’t around to see it. Important funeral homes like Lazaro Costa offered rental carriages for grand processions to Recoleta Cemetery. The above photo appeared as an advertisement in the society magazine “Caras & Caretas” with the following text:

For 200 pesos, a good funeral service with four horses & a footman, including an imitation mahogany coffin, open casket service, liveried carriages, notices placed in newspapers, etc.

Although a friend sent me this photo & did not record the publication date, surely this is from the early 20th century. Assuming this could be from 1915, 200 pesos would be the equivalent of $83 USD, or $1,930 USD in today’s currency!

514. the guardian, best city blogs

16 Feb 2014

The Guardian, AfterLife recommendation

It’s nice to know that our years of research & coverage of Recoleta Cemetery have not gone unnoticed. We were recently contacted by the British newspaper The Guardian, expressing a desire to include this blog in a new project that they hope will be:

“a hub for fresh ideas, thoughtful discussion and brilliant writing about urban life and the future of cities around the world.”

Any chance to spread the word about Recoleta Cemetery is more than welcome. Their recommendations were published on 27 Jan 2014, & we are honored to be considered a leading voice on Buenos Aires. Gracias!

472. chicago tribune, 09 jul 2012

11 Jul 2012

It’s been awhile since an article about Recoleta Cemetery has been published in a US newspaper… tourism to Buenos Aires isn’t what it used to be. Not sure exactly who picked up the story, but it was run in July in the Miami Herald & in the Chicago Tribune:

Surprises in the Buenos Aires’ Recoleta Cemetery
by Marjie Lambert

Our visit to Recoleta Cemetery was going to be short. We were going to find Eva Duarte Peron’s tomb and leave. We were not admirers, just curious U.S. tourists. But before what turned out to be a long visit had ended, we had been drawn in like so many others.

With its elaborate architecture representing styles from Art Deco and Art Nouveau to Baroque and Neo-Gothic – plus its free admission – the cemetery is a popular attraction, drawing more than half a million people a year. One of the city’s biggest open-air arts and crafts markets sets up just outside the gates. By late afternoon, street musicians perform, and vendors sell snacks by the white-columned entrance.

At least 18 Argentine presidents are buried among the 4,691 crypts, as are hundreds of other politicians, military leaders, writers, actors, athletes and others once prominent in Argentine society. Yet the mausoleum where Evita is entombed is by far the most popular site on the 14-acre grounds, which is still an active cemetery. Sixty years after her death, people – many, like my friend and me, who hadn’t even been born yet when she died – still bring flowers to lay at the door of the modest Duarte family mausoleum.

The former first lady was a charismatic figure in her lifetime. In death, part of the mystique is the 24-year journey that her corpse took before arriving here. Her body was moved around Argentina the first few years after her death in 1952; then after her husband, Juan Peron, was overthrown as president, the military confiscated it and secretly sent it to be buried in Italy under a false name. Many years later, it was returned to Juan Peron, who by then was in exile in Madrid. He returned it to Argentina before his own death in 1974. Finally, in 1976, she was buried in a concrete vault 27 feet underground beneath layers of steel, in the mausoleum of her father’s family at Recoleta. Juan Peron is buried in another cemetery.

I had no interest in the rest of the cemetery. But that was before I stepped between the Greek columns at the entrance to el Cementerio de Recoleta, before I saw the elaborate mausoleums laid out in a neat grid, like miniature apartment buildings on tiny streets.

I was captivated. I had never been in a cemetery with mausoleums like these before, had never seen rows and rows of these narrow miniature stone buildings, some four or five stories tall, each different, topped with gilded domes or obelisks or steeples that looked like huge sorcerers’ hats, marked by ornate carvings and statuary, plaques, laurel wreaths fashioned from bronze, guarded by angels or birds with enormous wing spans. There were statues of nymphs, cherubs, babies, generals in uniforms and a bare-chested boxer in his robe.

We knew from looking at the big map by the entrance to the cemetery that the Duarte mausoleum was on the left side, about a third of the way back. But we gravitated to the wide “street” that ran up the center, where the oldest and most ostentatious mausoleums were. We wandered from one to the next, reading family names and recognizing some from Buenos Aires landmarks and street signs, becoming increasingly absorbed.

Here were, in addition to the many Argentine politicians and generals, the tombs of actress Zully Morena; poet Oliverio Girondo; Victoria Ocampo, a writer and the first woman admitted to the Argentine Academy of Letters; Luis Federico Leloir, Nobel-winning biochemist; and Armando Bo, actor and film director. A life-size replica of boxer Luis “Firpo” Angel, “the wild bull of the Pampas,” in his robe, stands outside his tomb.

We kept wandering and gaping, turning down alleys that were perfectly perpendicular to the main aisle, always knowing approximately where we were in relation to the Duarte mausoleum.

We marveled at mausoleums of dull concrete, white marble and shiny black granite, looked in through glass doors webbed with fancy ironwork, saw altars of fine Italian marble. Then, as we talked about the grandeur of the architecture and sculpture, we would come across broken glass or doors barely held together by rusted padlocks and see coffins strung with cobwebs and dusty silk flowers, a reminder that this was a place of death.

The further we got from the entrance, the fewer people we encountered. We barely noticed, but the back boundaries of the cemetery were not squared off, and the alleys were increasingly skewed. Finally we realized that we could no longer tell east from south.

The mausoleums rose on either side of us, creating canyons just high enough to block our view of landmarks. Around us was silence; we were no longer within earshot of the other visitors. We were lost in el cementerio.

I had assumed that we could find Evita’s tomb without even looking at a map, that we would recognize it by the presence of a crowd, much like the way a sudden traffic jam in Yellowstone National Park tells you where someone has spotted a bear, or at least a moose. We hadn’t counted on the canyon effect.

Finally we came upon a wide cross street and spotted people milling about, some distance away. We joined the small crowd of people, determined that they were in line to visit Evita’s tomb down a narrow side street, and went to the back of the queue. One man there held back. “You’re not in line?” I asked. He said he was waiting for his wife. “You see one tomb, you’ve seen them all,” he answered.

About 30 people who apparently disagreed with him were ahead of us, but the line moved quickly. At one point, two people squeezed past us, going to the front of the line. A woman’s Spanish-accented English cut through the crowd noise: “We are all waiting in line here.” The two people looked around, shrugged, and walked back the way they came.

The Duarte mausoleum was modest compared to many others. Fashioned in Art Deco style, the crypt had no sculptures, but a bronze door elaborately crafted with flowers, a large cross and ornate plaques on both sides. A few carnations and roses, wilted by now, had been stuck in the door or laid at its base.

None of the people in this group lingered long. They paused for a few seconds, perhaps took a photo, and moved on. Having turned our in-and-out visit to Evita’s tomb into a 2-hour exploration of architecture, sculpture and Argentine history – and having once again gotten our bearings in the “city of the dead” – so did we.


Recoleta Cemetery, Calle Junan 1790, at Plaza Francesa, is open daily from 8 a.m. to 6 p.m. Admission is free.


Links are not original to the article… added them in case someone wants more info. A couple of corrections: Juan Perón did not bring Eva back to Argentina. That was left to Isabel. And Eva’s tomb was built after Art Deco… but that’s no big deal. However, it’s Plaza “Francia,” the cemetery opens at 07:00 & the street name is Junín.